Taboo and Transgression in British Literature from the Renaissance to the Present

1. Front Matter

   Pages i-vi

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2. Theoretical and Historical Perspectives

   1. Front Matter

      Pages 1-1

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   2. Taboo, Transgression, and Literature: An Introduction

      • Stefan Horlacher

      Pages 3-21

   3. Taboo and Transgression: A Socio-Historical and Socio-Cultural Perspective

      • Uwe Böker

      Pages 23-47

   4. Against Censorship: Literature, Transgression, and Taboo from a Diachronic Perspective

      • Lars Heiler

      Pages 49-71

3. Literary Analyses

   1. Front Matter

      Pages 73-73

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   2. Hamlet, Macbeth, and ’Sovereign Process’

      • John Drakakis

      Pages 75-97

   3. The Taboo of Revolutionary Thought after 1660 and Strategies of Subversion in Milton’s Paradise Lost and Bunyan’s The Holy War

      • Jens Martin Gurr

      Pages 99-116

   4. Worshipping Cloacina in the Eighteenth Century: Functions of Scatology in Swift, Pope, Gay, and Sterne

      • Jens Martin Gurr

      Pages 117-134

   5. The Organic Uncanny: Taboo, Sexuality, and Death in British Gothic Novels

      • Stella Butter, Matthias Eitelmann

      Pages 135-157

   6. The Age of Transition as an Age of Transgression? Victorian Poetry and the Taboo of Sexuality, Love, and the Body

      • Sarah Heinz

      Pages 159-176

   7. Metrical Taboos, Rhythmic Transgressions: Historico-Cultural Manipulations of the Voice In Nineteenth- and Twentieth-Century Poetry

      • Clive Scott

      Pages 177-191

   8. ’Logicized’ Taboo: Abjection in George Eliot’s Daniel Deronda

      • Anna-Margaretha Horatschek

      Pages 193-210

   9. Revaluating Transgression in Ulysses

      • Stefan Glomb

      Pages 211-225

   10. Taboo, Transgression, and (Self-)Censorship in Twentieth-Century British Theater

       • Folkert Degenring

       Pages 227-242

   11. The Holocaust and Aesthetic Transgression in Contemporary British Fiction

       • Lars Heiler

       Pages 243-258

4. Back Matter

   Pages 259-269

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Taboo and Transgression in British Literature from the Renaissance to the Present develops an innovative overview of the interdisciplinary theoretical approaches to the topic that have emerged in recent years. Alongside exemplary model analyses of key periods and representative primary texts, this exciting new anthology of critical essays has been specifically designed to fill a major gap in the field of literary and cultural studies. This book traces the complex dynamic and ongoing negotiation of notions of transgression and taboo as an essential, though often neglected, facet to understanding the development, production, and conception of literature from the early modern Elizabethan period through postmodern debates. The combination of a broad theoretical and historical framework covering almost fifty representative authors and uvres makes this essential reading for students and specialists alike in the fields of literary studies and cultural studies.

• Analyse
• English literature
• fiction
• Hamlet
• Holocaust
• Macbeth
• novel
• poetry
• Renaissance
• British and Irish Literature

"Horlacher and his collaborators have re-opened the door on taboo. The collection is ground-breaking in its expansion of traditional definitions and its broad historical sweep. An introductory historical and theoretical section is followed by literary analyses displaying a rich variety of approaches to the disruptive powers of literary texts from early modern to contemporary. Taboo and Transgression is a timely provocation displaying a consistently high quality of critical theory and practice." - Ronald Corthell, Professor and Chair, Department of English, Kent State University

"With its chapters ranging from Renaissance literature to Postmodernism, Taboo and Transgression offers an unprecedented introduction to the topic. A fair balance of theoretical challenge and historical depth, as well as the representativeness of the literary examples - with a focus on highly canonized texts - will make the volume an ideal companion for English courses at university. This conceptually well-wrought, well-structured, and highly coherent volume will appeal to university teachers as well as (advanced) students of English literature and will provide a valuable fundament for further research on taboo/transgression in other media and in less-canonized texts." - Astrid Erll, Professor, University of Wuppertal

STEFAN HORLACHER Professor of English Literature and Chair of the English Department at Dresden University of Technology, Germany.
 
STEFAN GLOMB Senior Lecturer in English Literature at Mannheim University, Germany.

LARS HEILER Senior Lecturer in English and American Literatures at the University of Kassel, Germany.

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