Fairies in Medieval Romance

1. Front Matter

   Pages i-xiii

   PDF

2. Introduction: Internal Folklore

   • James Wade

   Pages 1-8

3. Fairies and Humans between Possible Worlds

   • James Wade

   Pages 9-38

4. Avalon: Simulacra and Fictional Facts

   • James Wade

   Pages 39-71

5. Beyond Orthodoxy: Tests and Quests

   • James Wade

   Pages 73-107

6. Fairy Mistresses: Gifts and Taboos

   • James Wade

   Pages 109-145

7. Conclusion

   • James Wade

   Pages 147-149

8. Back Matter

   Pages 151-212

   PDF

This is the first book to construct a theoretical framework that not only introduces a new way of reading romance writing at large, but more specifically that generates useful critical readings of the specific functions of fairies in individual romance texts.

• fiction
• humans
• individual
• Medieval Literature
• Middle Ages
• writing
• British and Irish Literature

"A timely and important contribution both to the study of medieval romance, and to medieval cultural studies, breaking new methodological ground to exciting effect." - Carolyne Larrington, Supernumerary Fellow in English, St John's College, Oxford University

"This stimulating, innovative, and notably well-written book should be required reading for all interested in medieval romance and folklore. Wade covers a wide range of medieval literature, both fiction and history, and makes deft use of recent theoretical and philosophical work to explore the narratological uses of fairies and other possible worlds. " - Elizabeth Archibald, Professor of Medieval Literature, University of Bristol

"Unlike folklorists and historians, literary scholars have been strangely reluctant to tackle the omnipresent fairies of medieval narratives, and Wade's fascinating Fairies in Medieval Romance is the first book-length study in English to take the subject seriously since the days of C.S. Lewis.Drawing on possible-worlds theorists, Wade offers us a revitalized and nuanced discussion of the world-constructing powers of medieval authors that will be of great interest to narratologists and readers of fantasy fiction as well as mainstream medievalists. Rejecting the stereotype of the uninspired romance writer mechanically rehashing the half-forgotten superstitions of an earlier age, Wade presents us with a parade of active and inventive authors who employ the construction of fairyland to explore some of the most vital ideological concerns of the Middle Ages. An important book that should change the way we think about medieval popular romance." - Richard Firth Green, Director of the Center for Medieval and Renaissance Studies, The Ohio State University

JAMES WADE Emmanuel College Research Fellow at the University of Cambridge, UK

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