Skip to main content
Palgrave Macmillan
Book cover

Naming Theatre

Demonstrative Diagnosis in Performance

  • Book
  • © 2009

Overview

Part of the book series: Performance Interventions (PIPI)

This is a preview of subscription content, log in via an institution to check access.

Access this book

eBook USD 39.99
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
Hardcover Book USD 54.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Other ways to access

Licence this eBook for your library

Institutional subscriptions

Table of contents (10 chapters)

Keywords

About this book

Reading a range of work from the US and UK over the last two decades, this is an innovative study of theatre's growing obsession with technologies and effects of naming. How does theatre reflect, and intervene in, naming practices across domains such as philosophy, computing, journalism, anthropology, advertising, military training, and genetics?

Reviews

'Naming Theatre offers readers a comprehensive understanding of how names populate theatre and how they structure knowledge about a play. This book is an important contribution to the field...[and] prompts theatre scholars to expand the discourse related to their work (something which is frequently ignored) by establishing ways of questioning it.' - Stella Keramida, Platform

''Naming' is James Frieze's key term in a critique of identity and identification, which he sees as both a theme and a technique in contemporary theatre and performance... The book's strength and its substance is the exegesis of text and performance, through an ingenious variety of examples of naming as a process which embeds the subject in language, or alternatives strategies which manipulate naming to satirize or escape from such an inscription. It is the level of detail and the application of a mutating but consistent insight that is impressive here, and the book will be as useful as a collection of performance analyis as for its overall thesis.' - Gareth White, NTQ

About the author


JAMES FRIEZE is Senior Lecturer in Drama at Liverpool John Moores University, UK. He devises and directs new works for the stage and site-specific adaptations of novels, magazines, and virtual worlds. He has contributed to various journals, and is currently
writing books on Ping Chong, and (with Anita Gonzalez) on diasporic performance in Liverpool and New York.

Bibliographic Information

Publish with us