Editors:
Buy it now
Buying options
Tax calculation will be finalised at checkout
Other ways to access
This is a preview of subscription content, log in via an institution to check for access.
Table of contents (13 chapters)
-
Front Matter
-
INTRODUCTION The Arts Investigating Terror
-
Visualizing Terror
-
Front Matter
-
-
Fictionalizing Terror
-
Front Matter
-
-
Governmental Terror
-
Front Matter
-
-
The Terror of Theory
-
Front Matter
-
-
Back Matter
About this book
Reviews
"Terror and the Arts vividly explores the fractures and paradoxes of contemporary politics from the viewpoint of aesthetic experience. Be it visual, literary, poetic or musical, art allows us an insight into the terrorized present that can perhaps help in framing it differently, criticizing and avoiding the automatic response of aggression and retaliation. Whoever thinks that the present confronts us with the need to re-think and re-name contemporary violence must read this challenging collection of essays." - Adriana Cavarero, author of Horrorism: Naming Contemporary Violence
"Terror mobilizes the arts, visual and narrative, as well as their scholarly study. Not only, as can be expected, for the struggle against terrorism or for working through the trauma. In surveying the spaces between general human response to terror and defined political engagement, the insightful and often controversial chapters of this volume also raise more disconcerting questions: about complexities of judgment in the artistic processing of terror, about the possible competition between the arts and the acts that raise the threshold for subversion and shock, about the ways in which the arts can slide or be coerced into normalizing terror or furthering the issues promoted by terrorist groups or regimes, about the arts entrapment in the cultural circulation under the sign of terror, and about the ways in which the arts, politicized by terror, inevitably implicate their audience. The book opens new intellectual vistas, rejecting comfortable attitudes." - Leona Toker, Professor of English, The Hebrew University of Jerusalem
"How can cataclysmic traumas such as 9/11 or appalling spectacles such as Abu Ghraib be made the objects of art, and what political value might they have? By reading the arts politically, Terror and the Arts demonstrates with great clarity and insight the vitally important role of the arts in imaginatively working through the unspeakable violence of our age." - Mark Freeman, College of the Holy Cross and author of Rewriting the Self
Editors and Affiliations
-
Department of Sociology and Social Psychology, University of Tampere, Finland
Matti Hyvärinen
-
Department of Social Science History, University of Helsinki, Finland
Lisa Muszynski
About the editors
MATTI HYVÄRINEN is an Academy of Finland Research Fellow, Department of Sociology and Social Psychology, University of Tampere, Finland.
LISA MUSZYNSKI is a doctoral candidate in the Department of Social Science History, University of Helsinki, Finland and an associate member of the Politics and the Arts research team at the Finnish Centre of Excellence in Political Thought and Conceptual Change.
Bibliographic Information
Book Title: Terror and the Arts
Book Subtitle: Artistic, Literary, and Political Interpretations of Violence from Dostoyevsky to Abu Ghraib
Editors: Matti Hyvärinen, Lisa Muszynski
DOI: https://doi.org/10.1057/9780230614130
Publisher: Palgrave Macmillan New York
eBook Packages: Palgrave Literature & Performing Arts Collection, Literature, Cultural and Media Studies (R0)
Copyright Information: Matti Hyvärinen and Lisa Muszynski 2008
Hardcover ISBN: 978-0-230-60671-5Published: 19 September 2008
Softcover ISBN: 978-1-349-37405-2Published: 19 September 2008
eBook ISBN: 978-0-230-61413-0Published: 04 August 2008
Edition Number: 1
Number of Pages: XIII, 252
Number of Illustrations: 6 b/w illustrations
Topics: Arts, Literature, general, Twentieth-Century Literature, European Literature