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Table of contents (19 chapters)
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Front Matter
About this book
Reviews
"A truly fascinating autobiography of arguably the most intriguing woman in Liberia in the first half of the twentieth century, supplying a rich mine of information on the Vai, on early Liberia, the power elite, and race relations in three countries Germany, Switzerland, and the United States. Superbly edited by three competent hands, Fatima Massaquoi comes through as well-bred, royal, regal, and majestic. This is a book to teach students about the transformative powers of nationalism, transnationalism, and cosmopolitanism." - Toyin Falola, author of a Mouth Sweeter Than Salt: An African Memoir
"Vivian Seton, Konrad Tuchscherer, and Arthur Abraham have given us a great gift: a memoir of a fascinating woman who was a lively and perceptive observer of a critical period of world history, in Africa, Germany, and the United States. It is a rich and rewarding book, expertly edited and introduced, now properly preserved for posterity." - Marcus Rediker, author of The Amistad Rebellion: An Atlantic Odyssey of Slavery and Freedom
"[This is a] one-of-a-kind tale of a life lived on three continents, chronicling everything from insider views of traditional life and societies in Africa, to intense racism in other parts of the world." - Jenée Desmond-Harris, TheRoot.com
"Gem of a book ... beautifully written, exquisitely edited ... An important contribution to the understanding of 20th-century African history." - Elizabeth Schmidt, Professor of History, Loyola University of Maryland, author of Foreign Intervention in Africa (CUP, 2013)
'The Autobiography of an African Princess takes us on an extraordinary trans-Atlantic journey from Gendema in Sierra Leone, to Monrovia in Liberia, Hamburg in Germany, Geneva in Switzerland, Tennessee in the United States, and back to Monrovia. During that journey, local histories, cultures, languages, and values crossed part with the darker side of human nature that found expression in racial bigotry Nazism and Jim Crowism sexism, and ethnocentrism.' - African Studies Quarterly (December 2014)
About the author
Konrad Tuchscherer is a specialist in the history of written traditions in Africa, including the Vai script of Liberia, and his work has appeared in major journals and featured in reports by the BBC and NPR. He is the past recipient of Marshall and Fulbright awards. Tuchscherer contributed to the Smithsonian's groundbreaking exhibition on African scripts and wrote a chapter in the resulting book, Inscribing Meaning (2007). He co-produced the documentary film, Ghosts of the Amistad (2014). Tuchscherer is Associate Professor of History and Director of Africana Studies at St. John's University in New York City.
Arthur Abraham is one of the foremost historians of Sierra Leone who has researched/taught at universities in Europe, Africa and the United States. He has a lot of publications to his credit and is the leading authority on the Mende. He has served as a consultant for governments, film-makers and developers. His most famous work is Mende Government and Politics under Colonial Rule: A Historical Study of Political Change in Sierra Leone, 1890-1937 (1978). Currently Professor of History and Eminent Scholar at Virginia State University, USA, he is also the chairman of the Department of History and Philosophy.
Bibliographic Information
Book Title: The Autobiography of an African Princess
Authors: Fatima Massaquoi
Editors: Vivian Seton, Konrad Tuchscherer, Arthur Abraham
DOI: https://doi.org/10.1057/9781137102508
Publisher: Palgrave Macmillan New York
eBook Packages: Palgrave History Collection, History (R0)
Copyright Information: Fatima Massaquoi, Vivian Seton, Konrad Tuchscherer and Arthur Abraham 2013
Hardcover ISBN: 978-0-230-60958-7Published: 28 November 2013
Softcover ISBN: 978-1-349-37615-5Published: 28 November 2013
eBook ISBN: 978-1-137-10250-8Published: 18 November 2013
Edition Number: 1
Number of Pages: XXIII, 274
Number of Illustrations: 10 b/w illustrations
Topics: African History, Social History, European History, Modern History