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Palgrave Macmillan
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New Documentaries in Latin America

  • Book
  • © 2014

Overview

Part of the book series: Global Cinema (GLOBALCINE)

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Table of contents (14 chapters)

  1. Introduction

  2. Community and Indigenous Media

  3. Local, National, and Transnational Dialogues

Keywords

About this book

Examining the vast breadth and diversity of contemporary documentary production, while also situating nonfiction film and video within the cultural, political, and socio-economic history of the region, this book addresses topics such as documentary aesthetics, indigenous media, and transnational filmmaking, among others.

Reviews

“The sure-footed and historically aware manner in which the thirteen contributions home in on their specific topics while panning out to highlight broader regional and historical concerns means that this collection is illuminating and insightful, with much to commend it to novices and specialists alike.” (David Conlon, Bulletin of Spanish Visual Studies, Vol. 2 (1), April, 2018)

"This is a collection of very insightful, well-informed, and compelling analyses authored by leading scholars in the field of Latin American documentary filmmaking. Theoretically engaged with rigorous contextualization, New Documentaries in Latin America provides an important contribution to a growing field within Latin American Film Studies." - Miriam Haddu, Senior Lecturer, Mexican Visual Culture, University of London, UK, and author of Contemporary Mexican Cinema, 1989-1999: History, Space, and Identity

"Compelling and far-reaching, New Documentaries in Latin America provides a much-needed examination of the astounding documentary output of Latin America in the past three decades. The volume's wide-ranging essays offer nuanced perspectives on important and innovative documentary makers in the region that include established filmmakers like Patricio Guzmán and Eduardo Coutinho; lesser-knowns like Karen Rossi and Susana Barriga; and media collectives like Chile's Cámara en Mano andMexico's Mal de Ojo TV. The breadth of practices covered invites an updating of previous histories of documentary in Latin America and expands our understanding of the use of video by activist and community organizations, indigenous groups, and regionally focused production arrangements." - Cristina Venegas, University of California, Santa Barbara, USA

Editors and Affiliations

  • Georgia Institute of Technology, USA

    Vinicius Navarro

  • Georgia Tech, USA

    Juan Carlos Rodríguez

About the editors

Ana M. López, Tulane University, USA Antonio Gómez, Tulane University, USA Ruth Goldberg, State University of New York, Empire College, USA Vinicius Navarro, Georgia Institute of Technology, USA Cecilia Sayad, University of Kent, UK José Miguel Palacios, New York University, USA Amalia Córdova, New York University, USA Freya Schiwy, University of California, Riverside, USA Antonio Traverso, Curtin University, Australia Germán Liñero, Universidad de Viña del Mar, Chile Michael Chanan, Roehampton University, UK Susan Lord, Queen's University, Canada Zaira Zarza, Queen's University, Canada Juan Carlos Rodríguez, Georgia Institute of Technology, USA Debra A. Castillo, Cornell University, USA

Bibliographic Information

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