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Theatrical Improvisation, Consciousness, and Cognition

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  • © 2013

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Table of contents (6 chapters)

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About this book

Improvisation teachers have long known that the human mind could be trained to be effortlessly spontaneous and intuitive. Drinko explores what these improvisation teachers knew about improvisation's effects on consciousness and cognition and compares these theories to current findings in cognitive neuroscience, psychology, and philosophy.

Reviews

"I found this work to be fascinating and, as an improviser, intuitive and affirming (which is, ultimately, one of the conclusions of the book). While there are many books on improv and many books on the 'mind/thinking/consciousness/how-humans-learn' there aren't many that link these two areas of scholarship. This book fills that gap." - Jeanne Leep, Professor of Theatre Arts, Edgewood College, USA and author of Theatrical Improvisation: Short Form, Long Form, and Sketch-Based Improv

About the author

Clayton D. Drinko is Instructor in the Department of Drama and Dance at Tufts University, USA.

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